Seduction

In final stages of post-production
A film by Hilan Warshaw
For broadcast on ORF (Austria)  

SEDUCTION tells the gripping true story behind the creation of a 20th century musical masterpiece-- weaving together dramatic reenactments, documentary, and vérité footage of legendary musicians Renée Fleming and the Emerson String Quartet.

Alban Berg’s Lyric Suite for string quartet has long been hailed as one of the masterpieces of 20th-century music. But for decades, few suspected that behind this powerful music lies an explosive secret. In 1925 Berg, a habitual womanizer, fell passionately in love with Hanna Fuchs-Robettin, a married woman living in Prague. Soon afterwards, Berg composed the Lyric Suite for string quartet, which he intended as an explicit musical portrayal of his love affair with Hanna. Berg explained the music’s secret meaning in a color-coded copy of the score that he annotated for Hanna, making clear that the main events of their romance are all vividly dramatized in the piece. But to the rest of the world—including his wife, Helene—Berg presented the piece as he wanted it to be seen: a purely abstract work of chamber music. Among the work's secrets is that its last movement was originally conceived as a song about doomed love, set to a poem by Baudelaire.

SEDUCTION brings this tale to life as an innovative film narrative. At the heart of the film is a cinematic re-enactment of the love story hidden within the notes of the music, with the music itself as the soundtrack. The film also follows Renée Fleming and the Emerson String Quartet on a voyage of discovery from Paris and Dublin to leading American concert stages, as they perform the work and record their first-ever CD of the piece (including a reconstruction of the original vocal part to the last movement)-- digging ever deeper into the piece's dark world and the troubling secrets of Berg's life.

How does knowing about an artist's life affect us as audiences and performers? Should an artist's personal flaws impact our opinion of their work? These questions, never more timely than now, are brought vividly to life in this tale of musical genius, inspiration, and SEDUCTION.

SEDUCTION is a fiscally sponsored project of the National Center for Jewish Film, a 501(c)(3) non-profit organization. To make a tax-deductible contribution to the production, please click here or contact Hilan Warshaw at hilan@overtonefilms.com.







Praise for a screening of excerpts from the film at a concert on September 16, 2015:

“This brief program contained ... excerpts from a documentary being developed about the “Lyric Suite,” whose dramatic back story is suited to cinema. Not until the 1970s, a half-century after the suite’s composition, was an annotated score discovered that made clear what had long been suspected: The work is an autobiography in music, chronicling the love affair of Berg and a friend’s wife”.”
                                                - Zachary Woolfe, The New York Times

“The great surprise of the evening was a preview of a film by Hilan Warshaw, about the Lyric Suite. Mr. Warshaw, a violinist and conductor, made a wonderful movie about Wagner’s Jewish friends, but this film is more than documentary. In fact, it seems to have a multi-textural platform... This is the part I loved– it is also partly acted. Not as costume drama but with the style and black-and-white grainy film of a 1920’s movie. Apparently with the exaggerations, the closeup, the pure unadulterated (and adulterated) romance. For Alban Berg, this would have been perfect. A movie-lover himself, he seemed to make a love story in this and the Violin Concerto.””
                                                - Harry Rolnick, Concertonet.com